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Music Reviews
July 19, 1995
Originally pressed in 1979, this album of spoken word performances, poetry, and music is a captivating performance. Many of the vocals on this album were recorded by Morrison during a late night drinking session on his 27th (and last) birthday in December, 1970. Several years after Morrison's death in 1971, the remaining Doors (Robbie Kreiger on guitar, John Densmore on drums, and Ray Manzarek on keyboards), returned to the studios to put down a musical background for these cuts. Bootleg tapes of Morrison's poetry sessions have circulated for years; while purists complain that the speed and cadence of the vocals were altered for An American Prayer, the end more than justifies the means. I've heard some of the unaltered recordings; An American Prayer is a huge improvement over Morrison's drunken rants.
In addition, the album features three bonus tracks, including "Babylon Fading" and "Bird of Prey." Both of these cuts have long been available on bootleg, but are featured here for the first time on a regular release. An American Prayer has long been one of the most singular works in the rock canon. Morrison's incredible poetic images come to full force on this album, as the Lizard King delivers a riveting posthumous performance. This CD is a must own for all rock fans.
That would be a sacrilege. Each album is a coherent musical statement; how can anyone mix The Soft Parade (an overlooked gem) with Strange Days? It simply can't be done. The albums are short enough that they could fit conveniently on three CDs (two albums per disc). Let's hope Elektra brings this project to fruition so the entire Doors outre will be available in re-mastered form.
Originally recorded for Elektra, this inspired album of Beatles' covers (including a great reading of "Norwegian Wood") was produced by Paul Rothchild before he found fame producing such acts as the The Doors, Janis Joplin, and Paul Butterfield. Before his death in 1994, Rothchild recalled that he discovered the Charles River Valley Boys in 1961 while he was working as a salesman for Dumont Record Distributors. After producing an early album for the band, he had the opportunity to work again with them on Beatle Country.
Rothchild comes across a decent sort. As the producer of some of the most influential albums of the 60s, his biography might make an interesting read. Any takers? -- Randy Krbechek Copyright (c) Randy Krbechek Design by David Anand Prasad and Idea Co. |