 Emilia,
Big, Big World (Universal Records 1998) - 20-year-old Emilia has scored huge chart success in her native Sweden. Big, Big World is
instantly likeable, and should do the same in the U.S.
 A pop gem, the
single "Big, Big World" achieved gold status in Sweden after a mere six days, and went platinum after
only 11 days, making it the fastest-selling single in Swedish history. Yet two tracks are even better: the uplifting,
"A Good Sign," and the swing version of "Maybe, Baby."
Swedish pop candy is as sweet as it gets. Emilia has a friendly, likeable voice, and Big, Big World
deserves to reach a worldwide audience. Big talent, but not big ego.
 Laura
Love, Shum Ticky (Mercury 1998)
- Songstress Laura Love returns with
her fifth release, Shum Ticky. An amalgam of musical influences, including jazz, blues, swing,
and Celtic, the new album is driven by Laura's free spirit.
Laura lives
in Seattle and plays the music that runs through her. "My mission in life is to put the 'Yo' back in yodeling,"
Laura declares.
 "Anyway, can't
we all get along? You know, Ebony and Ivory? It feels really good to put a Middle Eastern melody with an Afro-Pop
groove, it seems like they flow together naturally, and the bottom line is that we are supposed to get along, influence
each other, influence each other's culture."
With production help from Joe Chicarelli, the new album features such songs as "The Clapping
Song" (featuring Sir Mix-A-Lot), the jazzy "Aha Me a Riddle I Day," and "Mahbootay"
(about her derriere).
Like Joan Armatrading and Chaka Khan before her, Laura Love delivers rock tailored to her personal tastes. World music fans should try Shum
Ticky.
 Tom Freund,
North American Long Weekend (Red Ant 1998) - A card-carrying
member of the Austin, Texas alt-folk crew, Tom Freund walks the walk. With a somber delivery and an understated
vocal delivery, North American Long Weekend looks at the bars and motel rooms of America with
the smoky grit of Tom Waits.
A native of New York, Freund has recorded in Austin, Texas, with roots-rockers, The Silos, as
well as the Setters (featuring Alejandro Escovedo and Michael Hall).
 For
the new album, Freund recruited guest appearances from such skilled players as jazz legend Jimmy Smith
(Hammond B3 organ), drummer Chris Searles (who has worked with Abra Moore
and Shawn Colvin), bass player, Jerry Scheff (who has recorded with everyone
from Elvis Presley to the Doors), and pedal steel player David Immergluck
(who has recorded with the Counting Crows and John
Hiatt). Tying it all together is producer Marvin Etzioni (ex-Lone Justice).
North American Long Weekend features Freund's storytelling style on songs such as "Great
Authority" and "Business of Knowing." In addition, a string section rounds out tracks like "Holden
Caulfield" and "Lady Jane."
The final product is too somber for my taste - although Freund has talented friends, North American Long
Weekend comes up short on catchy melodies. Fans of downbeat folk will want to look up this album.
 Steve
Vai, Flex-able Leftovers (Epic 1998) -
Master guitar player, Steve Vai, has reissued a set of out takes that were recorded during the "Flex-able"
period (1982-84). With 13 tracks (including several never before available), Leftovers shows Vai to be an inventive
and skilled player.
The vibe on Leftovers is distinctly influenced by the late Frank Zappa, with
adventurous arrangements, unusual instrumentation, and socially-connected lyrics (even "#?&! Yourself,"
which clocks in at 8:27). The influence is not surprising, considering that Steve toured with Zappa during the
time he (Vai) recorded this material.
 With tracks like "Natural
Born Boy" and "Little Pieces of Seawood," Leftovers is coherent onto itself and
more than just a collector's item. I wish this album had been recorded in 1998: Vai
would be heir to the Frank Zappa kingdom, and carry on the legacy. Give this quirky collection a chance.
- Randy Krbechek © 1999
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